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How do we change our perspectives on ‘nature’
The narratives portray lived histories as stories that do not end
particularly with some of them
They serve as critical reflections on power dynamics and colonial legacies
" now resides in the National Gallery of Australia alongside Jackson Pollock’s Blue Poles (1952)
Look! magazine How do we change ourAlex Selenitsch, a widely exhibited artist, architect, and concrete poet, delves into the graphic potential of language through striking sequences of concrete poetry. His work captivates by transforming words into visual forms, inviting viewers to engage with language in new and dynamic ways. My poems are visual representations of reading. In our culture, this activity is usually silent and optically complex. Conventional meanings are often simple
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