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he wrote everything on his MPC and sequenced it live to his synths — only using the computer to record
nihilistic noise rock that would propel the Midwest band to a globe-spanning
in writing
asserts her in a lineage of spoken-word artists stretching from Laurie Anderson to Life Without Buildings’ Sue Tompkins
After the largely acoustic Ashes & Fire
Pitchshifter - Peel Sessions 1991-93 Kenny Burrell he wrote everything on his
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