Home The Blue Split Compartments ‘Doe het toch maar’ als

‘Doe het toch maar’ als levenshouding

a vivid account of the sheer panic and brutality of the Austerity years

is a work for our times and a question for our age: it is a handbook for all those willing to reimagine prescriptive notions of identity and selfhood

but the person inside can’t see halfway out—and yet the person inside has made this house

Paramour works like the best of highly-engineered lipsticks: compact

Home The Blue Split Compartments ‘Doe het toch maar’ alsEmily Critchley Home, the latest collection from writer Emily Critchley, is part experimental confession, part elegiac plea. It is an exploration of the damage done by, in and to many different manifestations of home: with poetry about child abuse, wrongful imprisonment, #MeToo, borders, Brexit, our lost biophilia and global warming, among other issues. It is also an attempt to work through the pieces of a broken family, a broken society and a broken